Tone for Sale

These are just some highlights of our current inventory. All amps and effects are are available for demo. Bring your guitar and demo our inventory of amps, pedals, and speakers in our acoustically treated shop demo area. Access to our demo area and gear inventory is treated on a first come, first serve basis.

Amplifiers


Fender Custom Shop '57 Deluxe Amp 5E3 Hand Wired Circuit

Price: $1699.99

Fender '57 Deluxe Features:

  • Custom Shop hand-wired to original '57 Deluxe specifications
  • Output: 12 watts
  • Ohms: 8 ohms
  • Speaker: One 12 inch, Alnico-Magnet, Jensen P-12Q speaker
  • Channels: Two (Instrument and Microphone)
  • Original Fender labeled Groove Tubes (relabeled Electro-Harmonix) 6V6GT output tubes
  • 5Y3GT rectifier tube helps provide natural compression or "sag"
  • Two original Fender label 12AX7 preamp tubes
  • Standby switch added in place of the 1950s-issue polarity switch
  • Finger-joined solid Pine cabinet resonates with a warm, woody tone
  • Genuine Lacquered Tweed covering with vintage brown/gold grille cloth
  • Leather strap handle
  • Covering: Genuine Lacquered Tweed

Fender '68 Custom Princeton Reverb

Price: $799.99

Excellent condition Fender '68 Custom Princeton Reverb.

Footswitch included.


Fender '68 Custom Deluxe Reverb

Price: $849.99

Mint condition Fender '68 Custom Deluxe Reverb.

Manufactured in February 2020.

Comes with footswitch, slip cover, and user manual.


Vintage 1979 Fender Deluxe Reverb

Price: $1299.99

Professionally serviced by Tone I/O including all new power filter, power tube bias, and cathode bypass electrolytic capacitors. New JJ 6V6-S power tubes. New power supply voltage dropping resistors, power tube bias supply resistors, and power tube plate load resistors  to performance and reliability.

The circuit is 100% original other than the necessary maintenance performed, including all original tone circuit capacitors and resistors that all tested well within specification tolerance. All original transformers, POTs, and knobs. All of the preamp tubes as well as the rectifier tube are original vintage Fender labeled tubes that all tested strong with more than adequate life remaining and no noise or microphonics.

The speaker installed is a 12" Eminence square magnet speaker, and the speaker cone and surround are original and both are in great shape with no holes or tears. The speaker sounds good with no issues.

Reverb and Tremolo both work great and are both very strong. The amp has a very low noise floor on both channels with no scratchy POTs and all functions working correctly. Amp should be very reliable with no need for additional maintenance for quite sometime.

There is some rust on the cabinet and chassis hardware, and some minor nicks and discoloration in the original tolex. Original grill cloth is in good overall condition with light discoloration and only very minor snags or fraying. The faceplate shows signs of wear and has minor nicks, scratches, and pitting.

Comes with original footswitch.


Supro 1622RT Tremo-Verb

Price: $849.99

Supro 1622RT Tremo-Verb in excellent condition.

24-Watt combo with tremolo and reverb.

10" Speaker

Only a few very minor scratches on the control panel. In mint condition otherwise.

Fully checked out by Tone I/O. No issues, and tubes all tested like brand new.


Supro 1605R

Price: $749.99

Supro 1605R in mint condition.

6-Watt combo with reverb

8" Speaker

Seperate Gain and Master volume Controls

Treble and Bass Tone Controls

 

 


1960 Gibson GA-30RV Invader

Price: $1,499.99

1960 Gibson GA-30RV Invader tweed combo. 16-Watts.

Original untouched tone circuit with original coupling capacitors and carbon comp resistors. Original transformers. Original POTs and knobs. Original reverb tank and reverb footswitch. Original cabinet and grill cloth both in good overall condition for the age of the amp. Its one of the cleanest overall examples of this amp we have seen.

Original 12" Jensen P12R speaker dated 39th week of 1960 in excellent original condition with no tear or holes, and works/sounds great. The 8" speaker doesn't have any markings and is a bit of a mystery. The previous owner believed it to be original, but the amps originally came with a Jensen C8S, and we are not aware of any CS8 speakers ever having the grey metal basket that this one has. However, the magnet does look like a Jensen magnet. The speaker does look to be vintage, is in good physical condition, and sounds good.

Preamp tubes are (3) original Gibson labeled 6EU7s and (1) original Gibson labeled 12AU7, all of which tested very strong. Rectifier is a vintage (possibly original) Raytheon 5Y3 that tested good on both anode halves. The power tubes are new production JJ 6V6-S tubes.

Tone I/O has professionally serviced the amp with new Electrolytic power filter and bias caps and replacement of the original 2 prong power cord with a grounded 3-prong cord. Other than that, only general maintenance such as cleaning/re-tensioning tube sockets, cleaning jacks, and cleaning/lubricating POTs was all that was needed/performed. The original electrolytic caps will be included with the sale.

A previous owner installed an extension speaker jack in the middle of the control panel. We disconnected the jack to return the speaker wiring back to stock. Someone had also installed an extra tube socket in-between the V4 preamp tube socket and V5 power tube socket. The socket was not connected to anything, and we could not find any evidence of any of the original soldering being disturbed so appears the extra socket was never actually tied in to anything. We removed the extra socket and plugged the hole in the chassis where it was with a rubber grommet.

The amp sounds great with a low noise floor and smooth breakup that starts at around 4.5 on the volume channel with humbuckers when plugged into the first jack of either channel, similar to a Tweed Fender Deluxe or Princeton, and it cleans up nicely when you dial back on your guitar volume. The reverb works with the 2nd channel, and is a very strong and good sounding spring reverb.

Great early 60's tweed tone for much less than a Fender of the same era.


Tone I/O TIO-5

Price: $699.99

The TIO-5 is a 5-Watt Tweed Champ style build, with a slightly larger and deeper cabinet that provides a much fuller sound that a typical champ.

Built with high quality components throughout. Comes with all JJ tubes (5Y3, 6V6-S, 12AX7), and a Weber Vintage Series 8A125 8" Alnico speaker. Has fantastic clean tone for pedals, but has the ability to get gnarly as all get out at low volume when pushed.

Single volume control with on/off switch. Tone I/O standard black tweed with salt-n-pepper grill cloth.


Vox Valvetronix AD100VT

Price: $250.00

In excellent condition. Tube preamp with SS power amp.

FEATURES
  • 100W
  • 2 - 12" speakers
  • Vox Valve Reactor circuit delivers real tube tone
  • 11 amp models
  • 11 high-quality effects (including composite effects)
  • User program storage
  • 2 channels
  • Preset amp models
  • Knob-based interface for quick and intuitive editing
  • Line and headphone jacks for home recording or late-night practice
  • Operates as a conventional amp in manual mode
  • Adjustable output wattage of the power amp
  • Optional VFS2 dual footswitch (NOT INCLUDED) controls programs and effects

Weber Gray Wolf

Price: $2250.00

Weber speakers Gray Wolf amplifier is a hand-wired two channel amplifier custom built for for the Weber Gray Wolf speaker.

The two Channels share a "British" flavored tone stack feeding a classic dual EL34 Power Amp. The Standard Channel loves Pedals and as it is pushed the EL34s add their sweet growl. The high gain channel is punchy with good clarity and can be smooth and tame or wild and snarly.

3 - 12AX7 TUBES

2 - EL34 POWER TUBES

WEBER WZ-34 COPPER CAP

FOOT-SWITCHABLE CHANNELS

12" GRAY WOLF SPEAKER

HAND WIRED

50 WATTS

#3 of only 4 made!


Speaker Cabs


Marshall SC212 2x12 140-Watt Slanted Speaker Cabinet

Price: $625.00

Mint Condition. 8-Ohms

  • 2 x 12" closed-back extension cabinet
  • Celestion G12 V-Type speakers have a balanced tonal signature that imparts a vintage musicality
  • Clean sounds are true across the lows, mids, and highs, with just enough upper-mid chime and high-frequency sparkle to add clarity and definition
  • Crank it up for sizzling overdrive and raw rock tones with plenty of midband warmth
  • Slanted design ensures top-notch projection
  • Matches the aesthetics of your Studio Classic amplifier

Weber 4x10 X-Cab - New/Unloaded

Price: $318

"Weber 4x10 X-Cab in new condition! Great match for vintage Fenders. Simple extension speaker cabinets with a split back panel for the option of open- or closed-back configuration. X-Cabs are made of 1/2" birch plywood and feature metal corners, black rubber feet, and jack cups. The X-cabs include the appropriate wiring harness. DOES NOT INCLUDE SPEAKERS."


Yamaha THRC112 1x12 Cabinet w/ 16-Ohm, 70-Watt Celestion V-Type 12-inch Speaker

Price: $225.00

Yamaha THRC112 1x12 Cabinet with stock 8-ohm speaker upgraded to a 16-Ohm 70-Watt Celestion V-Type 12-inch Speaker.

Great looking and performing closed back cabinet with a great speaker!

  • Height:14.60"
  • Width:18.93"
  • Depth:10.66"
  • Weight:26.4 lbs.

**We have two of these cabinets with the upgraded V-Type speakers in stock. Purchase both for a great parallel 8-ohm speaker setup or a 16-ohm stereo setup.**


Effects


Limited Edition Bramofon Effects Dirty 6th

Exclusive new release from Bramofon Effects! The dirty 6th is inspired by our great city of Austin, our famous 6th Street, and Austin's own Stevie Ray Vaughan.

Its an extremely versatile Tube Screamer type overdrive pedal that when driven hard has a nice, smooth distortion.


Bramofon Effects Plucky Sidekick

Clean boost pedal from Austin pedal builder, Bramofon Effects.

"Not all heroes wear capes, but they do need a sidekick. Clean boost, plain and simple. Not meant to darken or brighten the sound."


Bramofon Effects Warp Jive

Envelope Phaser pedal from Austin pedal builder, Bramofon Effects.

"It runs quite easily on 9 volts (no battery). It delivers the Funk, The whole Funk, and nothin' but the Funk."


Friedman BE-OD

"The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse the BE-OD is a must have pedal for any tone enthusiast."


Friedman Dirty Shirley

"The Friedman Dirty Shirley all-tube amp is well known for being one of the most flexible and touch-responsive single-channel amplifiers on the market. Now you can get that same tonal versatility, sensitivity and harmonically rich overdrive in a pedal. The Dirty Shirley Overdrive packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock in no time. It doesn't matter if you want a high-output cleaner tone for pushing your amp hard or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets you there. If you ever want reign in the low end, for a punchier feel, simply flip the side-mounted Tight switch and away you go. If you want to experience the amp’s accolade-garnering tone in the convenience of a pedal, put the Dirty Shirley Overdrive on your board today."


Friedman Gold-72

"The Friedman No More Tears Gold-72 Wah delivers the classic wah tones you crave with the ability to fine-tune the pedal’s feel and character tone. The first thing you’ll notice when stomping down on the Gold-72 Wah is the convenient LED, which is perfectly placed to let you know when it is engaged. Another player-friendly feature is the inconspicuous 3-way sweep switch hidden under the pedal’s treadle. With a simple flip of the toggle, you’re able to find the sweep that feels ideal for your style. Tone isn’t the only feature that is adjustable. The Gold-72 has a convenient and easily accessible Allen screw adjustment under the heel of the pedal that allows the tension of the footboard to be dialed in to each players taste. Add in switchable buffered or true bypass operation, and the Friedman No More Tears Gold-72 Wah pedal just might send those other babies away crying."


JHS 1969 London Smiley

Part of the "Legends of Fuzz" series from JHS. This is their recreation of the early silicon Fuzz Faces!

"The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face* is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly."


JHS 1972 Japan Supreme

Part of the "Legends of Fuzz" series from JHS. This is their recreation of the 1972 Univox Super-Fuzz!

"The Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11."


JHS 1973 London Bender

Part of the "Legends of Fuzz" series from JHS. This is their recreation of the MKIII Tonebender!

"The JHS Bender is our attempt to recreate the most prized Tonebender* in my collection: my 1973 MK3 Silver/Orange “Onomatopoeia” version. This version has three very special germanium transistors, tons of mojo, and fifty plus years of experience, but it is finicky and it doesn’t always do what you want it to do. I had to ask: could we replicate this pedal sonically? Could we capture what it's all about, but in a way that is more consistent, dependable, and easy to manufacture? Yes. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors."


JHS 1992 Russia Crimson

Part of the "Legends of Fuzz" series from JHS. This is their recreation of the "Mike Matthews Red Army Overdrive" (technically the 7th version of the Big Muff Fuzz)!

"This is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. Only manufactured in small numbers from 1991-1992, very few examples of this still exist, making this almost impossible to find. It shares characteristics with the famous Sovtek* “Civil War” (Late 1992) version, but it stands on its own. Warmer, clearer, and more defined than any of the Soviet Big Muffs that followed, the Red Army offers a unique flavor of a very familiar effect. The Crimson is an exact replica of my own Red Army Overdrive, allowing you to own a unique part of fuzz history."


JHS Angry Charlie V3

Channel Drive Pedal from JHS. This is the bigger, badder brother to the Charlie Brown pedal.

"Modern Marshall tones that lean toward the classic JCM 800. Heavy overdrive and distortion that is rich in British character, feel and attitude. A specially designed three band EQ allows you to sculpt it perfectly into any ring."


JHS AT+

A channel drive and boost pedal combined into one convenient package!

"Andy Timmons' signature channel drive and boost. British style overdrive and distortion with a boost that will have your guitar singing like Andy's."


JHS Bonsai

All of the classic Tube Screamer pedal tones from various Tube Screamer pedals of different eras rolled up into one pedal!

Bonsai!!!!


JHS Cheese Ball

We have the new JHS Cheese Ball pedal in stock! A great replica of the classic Lovetone Big Cheese!

"The JHS Cheese Ball recalls a legendary 1990s-era distortion/fuzz pedal that was used by U2, Jimmy Page, Radiohead, My Bloody Valentine, and Wilco, amongst others. Versatile doesn’t even begin to describe this pedal. From violin-like sustain to red-hot buzz to spitty grind, it will achieve just about any fuzz tone you can imagine."


JHS The Clover

JHS preamp pedal.

"The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool.  While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive."


JHS Colour Box V2

Like plugging your guitar straight into a vintage Neve preamp.

Sounds awesome!


JHS Double Barrel V4

JHS Moonshine V2 and Morning Glory V4 pedals combined into one pedal.

Great medium to light transparent overdrive pedal that is very versatile.


JHS Emperor V2

Experience analog modulation at its best

The Emperor V2 is built around the topology of a coveted Japanese-made blue-and-gray chorus pedal from the '80s. This sought-after pedal was renowned for its tasteful, smooth chorusing at slower settings and its killer vibrato and Leslie-like pseudo-rotary effects at faster settings. The Emperor V2 employs a real 3207 bucket brigade chipset to achieve its tones, supplying you with a host of true-to-life vintage modulation effects. 


 JHS Kodiak

Tremolo pedal from JHS!

"A beast of a tremolo with all the modern amenities you could want in a small package. The Kodiak will give your tone a bear hug!"


 JHS Luck Cat (Black)

The Lucky Cat delay has basic controls consisting of Time, Mix, Ratio, Repeats, Darken (EQ), and a Modulation toggle. Time is a manual control for the length of the repeats up to 1000ms. Mix controls the volume of the repeats, from fully clean signal to fully wet. Ratio controls the subdivision of the tap tempo with options of quarter note, dotted eighth note, eighth note, and triplets. Repeats controls the amount of repeats you will hear, from one repeat to infinite. The Lucky Cat will not do analog delay oscillation, but will do a musical digital oscillation when the repeats are maxed out and you play with the Time control. The Darken control works as an EQ for the repeats only. When fully clockwise the tone of the delay is the fully digital, unaffected sound. As you turn counter-clockwise the delay will darken in tone giving you an array of delay tones at your fingertips. The Modulation toggle has two modulation settings, Mod 1 and Mod 2, with the center setting disengaging the modulation. Mod 1 is a subtle modulation that gives the delay just the right amount of movement without being overwhelming. Mod 2 is a deeper modulation that gives you a seasick sound for those parts you want drenched in modulation.

CLEAN DIGITAL VS TAPE DELAY

On the left side of the Lucky Cat, you’ll find a dip switch for Vintage Tape/Digital Clean tones. In Vintage Tape mode, you’ll find a more compressed slightly driven echo like vintage tape delays. In Digital Clean mode the echo is crisp and clean for those pristine and chirpy delay sounds. On the right side of the pedal, you’ll also find an external tap jack so you can control the tempo of your delay with an external tap pedal.

SPECS

- 1000ms of classic digital delay.
- On board tap-tempo with ratio subdivision control.
- Two modulation settings.
- EQ control for the repeats.
- Tape/Digital modes.
- External tap jack.
- Diamond eyes.


JHS Luck Cat (Pink)

The Lucky Cat delay has basic controls consisting of Time, Mix, Ratio, Repeats, Darken (EQ), and a Modulation toggle. Time is a manual control for the length of the repeats up to 1000ms. Mix controls the volume of the repeats, from fully clean signal to fully wet. Ratio controls the subdivision of the tap tempo with options of quarter note, dotted eighth note, eighth note, and triplets. Repeats controls the amount of repeats you will hear, from one repeat to infinite. The Lucky Cat will not do analog delay oscillation, but will do a musical digital oscillation when the repeats are maxed out and you play with the Time control. The Darken control works as an EQ for the repeats only. When fully clockwise the tone of the delay is the fully digital, unaffected sound. As you turn counter-clockwise the delay will darken in tone giving you an array of delay tones at your fingertips. The Modulation toggle has two modulation settings, Mod 1 and Mod 2, with the center setting disengaging the modulation. Mod 1 is a subtle modulation that gives the delay just the right amount of movement without being overwhelming. Mod 2 is a deeper modulation that gives you a seasick sound for those parts you want drenched in modulation.

CLEAN DIGITAL VS TAPE DELAY

On the left side of the Lucky Cat, you’ll find a dip switch for Vintage Tape/Digital Clean tones. In Vintage Tape mode, you’ll find a more compressed slightly driven echo like vintage tape delays. In Digital Clean mode the echo is crisp and clean for those pristine and chirpy delay sounds. On the right side of the pedal, you’ll also find an external tap jack so you can control the tempo of your delay with an external tap pedal.

SPECS

- 1000ms of classic digital delay.
- On board tap-tempo with ratio subdivision control.
- Two modulation settings.
- EQ control for the repeats.
- Tape/Digital modes.
- External tap jack.
- Diamond eyes.


JHS Moonshine V2

JHS take on the classic tubescreamer circuit!

"Non-transparent overdrive that goes down as smooth as your grandaddy's White Lightning. Thick rich mids, clear top end, the best bass response of any drive we make, more volume than you will ever need, and the ability to do medium/high gain overdrive like nothing you've ever heard make this a hard habit to kick."


JHS Morning Glory V4

The most known and praised overdrive pedal from JHS!

"Transparent low/medium gain overdrive that never gets in the way. The overdrive you've always wanted but could never find."


JHS Muffuletta

6 different Big Muff Pi fuzz circuits in one pedal!

"When you are hungry for fat, rich and legendary fuzz tones, look no further than the six course meal that the Muffuletta serves up."


JHS PG-14 Paul Gilbert Signature Distortion Pedal

"JHS Pedals teamed up with the legendary shredder Paul Gilbert to create the PG-14, a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud, stadium-level amplifier at low/moderate volume levels.

A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.

The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch!"

 


JHS Pulp 'N' Peel V4

A great compressor/preamp pedal from JHS!

"Studio grade compression that is truly transparent. Parallel clean blend for dialing in the perfect attack, EQ control, DI and 1/4" parallel outputs, built in switchable buffer and even a distortion circuit make the PnP V4 the ultimate end all compressor for electric guitar and bass."


JHS Space Commander

JHS new pedal combining a boost, chorus, and reverb all in one pedal!

"The JHS Space Commander let's you engage the perfect blend of a hall reverb, an '80s style chorus, and a great-sounding volume boost for fattening your tone or pushing your amp harder . And each effect has its own on/off mini toggle and level control, making dialing in the Space Commander an intuitive affair. The JHS Space Commander effects pedal places your tone at the inception of alternative rock with a single stomp of a switch."


JHS SuperBolt V2

An overdrive pedal from JHS designed to mimic the overdrive from Supro amps

"Supro* tones in a pedal and a whole lot more! This discreet circuit does everything from clean boost to sagging exploding small amp distortion with ease."


JHS Sweet Tea V3

A 2-in-1 overdrive/distortion pedal from JHS!

"Everything possible, medium to high gain. Our very own Angry Carlie V3 and our Moonshine V2 make this a high gain monster that goes down easy on a summer night."


JHS Twin Twelve V2

Overdrive/distortion pedal that replicates the 1963 Silvertone Model 1484

"The JHS Twin Twelve V2 overdrive pedal takes the tone of a rare 1963 Silvertone Model 1484 guitar amplifier and augments it with fleshed-out tone controls and overdrive capabilities. The Twin Twelve uses meticulously hand-tuned discrete transistor stages that nail the tube saturation of the original amp perfectly. A charge pump converts your standard 9-volt power to 18 volts for more punch, extended dynamic range, and incredible amp-like feel. The Twin Twelve's switchable Clean mode bypasses the Drive control, transforming it from a growling beast into a clean boost with massive headroom."

JHS Twin Twelve V2 Overdrive Pedal Features at a Glance:

  • Fleshed-out tone controls provide more tonal options than the original amplifier
  • Discrete transistor stages reproduce the original amp's tube saturation
  • Charge pump delivers added punch, extended dynamic range, and incredible amp-like feel
  • Clean mode bypasses the Drive control for clean boost effects

JHS Unicorn V2

Tap Tempo Univibe

"In 2015 we brought you the Unicorn V1 ...the world's first bulb-driven photocell modulator with tap tempo...our very own Uni-Vibe if you will.  This Spring 2018 we are proud to bring you the Unicorn V2!

Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969," and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome."

JHS Unicorn V2 Modulation Pedal Features at a Glance:

  • Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones
  • Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple

JHS Whitey Tighty

JHS compressor pedal will improve your tone and save space on your board!

"The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level."


Wampler cataPulp

This amp in a box pedal from Wampler captures the awesome tone of Orange Amps!

"A more aggressive and edgy British stack tone, bringing you the citrus power and tone to your amp… We wanted to make a pedal that could faithfully reproduce the tones of a specific citrus colored, British amp made famous by artists like Jimmy Page, Weezer, Queens of the Stone Age, and Slipknot… A distinctive tone that stands out in terms of power, width and dirt. After spending countless hours tweaking the circuit and testing it against many tones from those great amps, we were able to produce the one pedal that captures that attitude – the cataPulp."


Wampler Clarksdale

Wamplers take on the classic Tubescreamer sound!

"The addition of a 3 band EQ (Bass, Mids are active, and the Treble is similar to the classic TS tone pot) it allows a player to have a more tailored tonal pallet than the original. The Lift/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also unlike the original “green giant” the Clarksdale will not “fizz out” as much at low or high gain settings."


Wampler Darcarys

A distortion pedal Wampler built to recreate Ola Englund's sound.

"This pedal has an active 3 band EQ (Bass, Middle, Treble) you can add or take away each frequency independently. The open/Tight switch - in the open setting the sound is fuller and more responsive.  When set to the tight setting the tone compresses like a tube amp being push to its limit. Power usage designed for 9v to 18v. Sounds best at 9v."


Wampler dB+

Wampler boost/independent buffer in a board friendly pedal.

"The dB+ has all the same great features as it’s predecessor – the Decibel + – but now you have the ability to turn the buffer on and off independently as well in a now micro pedal size. Whatever your needs may be, the dB+ is ready to deliver. From studio or stage, it’s a one-knob problem solver toolkit."


Wampler Ego

Wampler compressor pedal! This pedal has a blend knob so you can mix in some clean signal with the compressed signal!

"What does a compressor do? A compressor adds an element of control to your playing level – it will bring the quieter parts up and the louder parts down. While an ordinary compressor pedal can give you an element of control, a great compressor will give you the “feel” that other average compressors lack. If you’ve played a great tube amp when it’s being pushed hard, you’ll know what a great natural compression feels like."


Wampler Ethereal

A 2-in-1 delay/reverb pedal from Wampler!

"How do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It’s hard to know which phrase to use when talking about it, because they all match it perfectly… plus, of course, so easy to use you’ll be getting those perfectly Ethereal tones instantly. When designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away… all the way away while making it as easy to use and easy to find those perfect tones as possible."


Wampler EQuater

EQuator - Advanced Audio Equalizer

"Instead of the learning curve that can accompany individual sliders for each frequency, we gave you fixed bass and treble controls and two semi-parametric mid controls that are as easy to harness as twisting a few knobs. Each knob’s frequencies have been carefully defined (with the sweet spots marked) for the needs of players and to offer one of the most flexible EQ pedals out there. Whether you’re wanting a fully customizable clean boost, the ability to fine-tune the tone of another pedal, or to just bring out the best in your guitar, bass or ANY instrument you choose to plug into it - we crafted the Wampler EQuator to be the tonal sweetener you need to get the job done…  Even if you don’t use a pedalboard and are not a guitar player - put this between your instrument and the amp, the P.A., or recording interface… the EQuator will bring it to life"


Wampler Euphoria

A phenomenally transparent and versatile overdrive pedal from Wampler!

"When Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to extremely fat tones while adding a bit of warmth, a natural overdrive… the goal was to make a pedal that does NOT sound like a pedal – it needed to be dynamic, have a great choice of tones (from  gritty to smooth) yet be able to respond to the volume knob like a tube amp."


Wampler Faux Spring Reverb

A great, space saving spring reverb pedal from Wampler!

"This pedal controls size and depth of the reverb. Tone is brighter more pristine and darker with a more vintage sound.
Power 9 to 12v sounds best a 9v"


Wampler Fuzztration

Another great 2-in-1 from Wampler! With this pedal you get a fuzz and octave pedal in one enclosue!

"Finding the perfect fuzz/octave is pure frustration. Wampler ends that search with the Fuzztration pedal. Change the sound from a more aggressive fuzz w/ compression; to an open spongey vintage fuzz. Different sound, different feel, awesome tone on each side. Power usage designed for 9v to 18v. Sounds is best at 9v"


Wampler Hot Wired

A 2-in-1 overdrive/distortion pedal from Wampler!

"The Wampler Hot Wired V2 does it all. From Nashville-style chickin' pickin' to heaping loads of fat, creamy distortion, this pedal serves up the perfect guitar tone for any occasion. This is the pedal Nashville studio session guitarist Brent Mason uses day-in and day-out."

 


Wampler Latitude Deluxe

Tremolo pedal from Wampler!

"A full featured tremolo with a beautiful core tone, and the control to give you exactly what you need night after night. From the sweet shimmering tremolo of yesteryear to helicopter choppiness of today, the tremolo has been a staple for guitar effects. With one foot in sweet vintage tones and one foot in more modern helicopter chops, the Wampler Latitude Deluxe offers the best of both worlds."

 


Wampler Paisley Drive

Wampler designed this overdrive pedal for none other than Brad Paisley himself!

"Paisley’s requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal!"


Wampler Pantheon Overdrive

  • Versatile drive pedal based on iconic guitar tones
  • 3-way gain switch and 3-way voicing switch for exceptional sonic flexibility
  • Based on highly acclaimed boutique pedal circuits, with no waiting list this time
  • Ranges from subtle grit to full raging overdrive
  • Amp-like control layout includes 2-band EQ and Presence control

Wampler Pinnacle

A very flexible distortion pedal from Wampler.

"The trouble with distortion pedals is that many of them only serve one function. We all know that the distinguished tone chaser sometimes needs extreme gain, sometimes needs mild overdrive… sometimes needs something that does both of the above and everything in between. The Pinnacle not only does that, but it also brings the most convincing “Brown Sound” to be ever heard in a pedal!"


Wampler Plexi-Drive

This Wampler overdrive pedal beautifully captures the sound of a cranked JTM-45!

"Get the sought-after vintage British stack tone in your pedalboard with the Wampler Plexi-Drive overdrive pedal. The Plexi-Drive delivers that vintage stack sound that defined rock for generations. Dial in your exact tone with Tone, Volume, and Gain controls. A Bass Boost switch adds a bass boost reminiscent of 4 x 12" cabs. Add big tone to your rig with the Wampler Plexi-Drive."


Wampler Plexi-Drive Deluxe V2

This Wampler overdrive pedal beautifully replicates classic Plexi tones.

"Based on the classic Wampler Pedal “Plexi-Drive”, the Plexi-Drive Deluxe builds on the foundation of the original and gives you considerably more control to shape your tone. With a 3 band active EQ and additional brightness control, the Plexi-Drive Deluxe takes a huge step forward into the modern era of pedals. Complete with the perfectly voiced pregain booster, you can achieve almost any Plexi tone from virtually any amp."


Wampler Reflection

Plate and Spring Reverb in one Pedal!

"Thanks to the power of today’s digital technology, there are more options for attaining great reverb effects than ever before. But imagine being able to get the same washes of tone, that often emanate from some overly complicated stompbox computers, from a compact, single-button pedal with straightforward controls. That’s exactly what you’ll find with the Wampler Reflection. A flip of a switch shifts from swampy, springy goodness to a studio-grade plate reverb. Then manipulate that ambience on the fly, thanks to the intuitive control layout. And with internal switches to control the effect’s tails and dry signal, the Reflection will integrate perfectly into almost any guitar rig. So, when you’re done surfing through menus while you’re trying to perform, but you still demand pristine trails of tone, put the Wampler Reflection reverb pedal on our board and never look back"


Wampler Sovereign

A great distortion pedal from Wampler.

"The distortion available from the Sovereign is so versatile you will wonder how so much can be available from one small box. Two gain stages, a mid contour, bright switch and tone control allow you to dial in virtually any sound from modern distortion all the way back to classic OD tones."


Wampler Tape Echo V2

Vintage Analog Tape Echo Tones

"With our hybrid design (completely pure analog dry path with the digital delay layered on top) approach, you get the best of both worlds. You get the note clarity, much lower noise, and longer delay times from digital delays...  You also get the lovely warmth and little exquisite touches that are usually reserved for analog delays. Nearly every part of the pedal, all of its major functions, are analog. The “delay line” is the only digital part of the signal path. It alone being digital brings clarity and focus to the task in a way that analog delay line chips can’t really match. But everything else, all the absolutely vital filtering to carefully finish the sound is pure analog. Every aspect of the modulation that gives the Faux Tape Echo pedal a unique function and tone and makes it desirable for people who want their delay tone to sound as good as tape delay units but without all the maintenance, supplies, and hassle. Your all-important fundamental dry tone is 100% analog, too."


Wampler Triple Wreck

Wampler accurately recreated the distortion from a Triple Rectifier with this pedal!

"The Triple Wreck is probably one of the tightest, thickest highest gain distortions you have ever heard… Many people have told us that it sounds more like a 5150® amp to them than a distortion pedal, that may very well be – All we can say is that we designed it to just be an ass kicking distortion pedal, heavier than everything else, meaner than everything else, and it is."


Wampler Tumnus Deluxe

THE mystical overdrive pedal

"With the release of the Tumnus Deluxe, Brian has set the new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a treble control, the same as the pedal it was inspired by, encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another pedal, using the pedal as a stand-alone overdrive, or crowning it your “always on” tonal sweetener, you’ll find the Tumnus Deluxe’s wide-ranging controls make it much more than just another clone"


Wampler Velvet Fuzz

This fuzz pedal from Wampler combines the sound of classic fuzz with the sound of a EL32-powered stack!

"With two completely different clipping options (not just the basic silicon or germanium option like most) you can achieve those classic fuzz big tones that compresses massively across the bottom or you can tighten them up and have it respond more like a distortion. With this you get all of the tone with none of the side effects. Some people say it sounds like a fuzz but feels like a distortion, so yes, you CAN have the best of both worlds."


 

Other Items

We have Weber speaker Attenuators such as the popular Mass line, as well as Weber impedance matchers and other Weber "Gadgets" in stock.